The photographs of Humaliwo Chambers depict a series of interconnected underground spaces, entered through a portal on a hillside in Malibu, California. The various rooms, passageways, and the objects found in them evoke conflicting European, Latin American and Native American forms and histories. (Humaliwo is the Chumash word from which Malibu is derived, and can be translated as "where the waves crash loudly.") While drawing from the traditions of archeological photography, the images are handcrafted in the artist's studio. This elaborate historical fiction is both a study of the complex and contradictory relationship between art and anthropology, and a meditation on 10,000 years of California history.

The project consists of three print portfolios:

1. A folding panorama announces the geographical site and its surroundings. A trail winding up a mountainside leads to a passageway.
2. A series of views depicts the interior spaces of the chambers. These pictures present a space that is at once a ruin and a preserve.
3. The third portfolio shows artifacts recovered from the chambers. Individual objects first glimpsed in the second portfolio are shown again, but restored, isolated, and transformed into autonomous entities.

Printed as four-color offset lithographs, the twenty five prints of the project are all stereoscopic ("3/D") image pairs. The images are designed to be viewed through a freestanding mirrored stereoscope, provided with each copy of the edition. Looking through the stereoscope, one's right eye sees the top image and the left eye sees the bottom image.

Every year between 1988 and 2017, Peter Norton commissioned an artist to produce an artist's 'multiple' in a large edition. The resulting artworks were given as gifts to celebrate the holiday season. Humaliwo Chambers was the 2010 Norton Christmas Project. Twenty copies of the edition were reserved as artist's proofs, each housed in a special slipcase wrapped in blue-green Japanese silk.